Neil Dawson Exhibitions

The Wakatipu Chronicle

23 Nov 2019 - 28 Jan 2020

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Artists

Exhibition Works

EFKS Church, Maraenui
Yuki Kihara EFKS Church, Maraenui (2017)
Rangitata Valley
Michael Hight Rangitata Valley (2019)
Buller River
Michael Hight Buller River (2018)
Silo and Sulphur
Dick Frizzell Silo and Sulphur (2019)
Orepuki
Dick Frizzell Orepuki (2019)
Tapanui Hills
Dick Frizzell Tapanui Hills (2019)
Hidden Depths
Graham Bennett Hidden Depths (2006/18)
Colours of the Southern Coast
Chris Charteris Colours of the Southern Coast (2019)
Tuaiwi
Chris Charteris Tuaiwi (2019)
Pingpongpot
Phil Brooks Pingpongpot (2018)
Orbital Vessel (Large)
Phil Brooks Orbital Vessel (Large) (2019)
Coupling (Female)
Phil Brooks Coupling (Female) (2019)
Ka Mate
Lisa Reihana Ka Mate (2018)
View from the Top
Darryn George View from the Top (2016)
Māra #7
Darryn George Māra #7 (2019)
Māra #4
Darryn George Māra #4 (2019)
From Near and Far
Chris Heaphy From Near and Far (2016)
Un-Bound (Black/Yellow)
Leanne Morrison Un-Bound (Black/Yellow) (2019)
Kahurangi
Israel Tangaroa Birch Kahurangi (2014)
Murmur Dome (Metallic Blue)
Neil Dawson Murmur Dome (Metallic Blue) (2018)
Murmur Dome (Pale Blue)
Neil Dawson Murmur Dome (Pale Blue) (2018)
Reflections - Milford
Neil Dawson Reflections - Milford (2017)
Blue Retreat Sweep
Neil Dawson Blue Retreat Sweep (2010/17)
Waiting Game
Joanna Braithwaite Waiting Game (2017)
Tawaki
Nigel Brown Tawaki (2015)
Human Animal
Nigel Brown Human Animal (2017)
Night Sky
Peata Larkin Night Sky (2019)
Ngā Manu a Māui: The Birds of Māui III
Robert Jahnke Ngā Manu a Māui: The Birds of Māui III (2009-12)
Godwits Do Fly
Paul Dibble Godwits Do Fly (2019)
The Return of the Godwits
Paul Dibble The Return of the Godwits (2018)
Siberian Stopover
Paul Dibble Siberian Stopover (2019)
Fantail on Ring
Paul Dibble Fantail on Ring (2016)
White Painting
Jeffrey Harris White Painting (1988)
Blind Faith
Susanne Kerr Blind Faith (2018/19)
Seeker
Susanne Kerr Seeker (2017)
Flashpoint (Gold)
Mervyn Williams Flashpoint (Gold) (2012)
Another Green World II
Elizabeth Thomson Another Green World II (2008)
Whare Koa, Koanga III
Russell Moses Whare Koa, Koanga III (2016)
Juxtapose Bottles Set (Brown/Green)
Emily Siddell & Stephen Bradbourne Juxtapose Bottles Set (Brown/Green) (2018)
Murrine and Nerikomi Set (Green)
Emily Siddell & Stephen Bradbourne Murrine and Nerikomi Set (Green) (2018)
Tiki 9
Neil Adcock Tiki 9 (2019)
Sweet
Simon Clark Sweet (2019)
Faith
Harry Watson Faith (2018)
Happy Anniversary
Harry Watson Happy Anniversary (2018)
Module 2
Peter Trevelyan Module 2 (2018)
Polymer #7 (Red/Blue)
Peter Trevelyan Polymer #7 (Red/Blue) (2019)
Polymer #2 (Brown/Black)
Peter Trevelyan Polymer #2 (Brown/Black) (2019)
Polymer #3 (Red/Yellow)
Peter Trevelyan Polymer #3 (Red/Yellow) (2019)
Obscurity Contingency
Andy Leleisi'uao Obscurity Contingency (2019)
Dimness Experience
Andy Leleisi'uao Dimness Experience (2019)
Omihi
Karl Maughan Omihi (2019)
Plain Song: Columns of Light - Winter Sun
J S Parker Plain Song: Columns of Light - Winter Sun (2016)
The Muse of Clay Modelled Sculpture
Terry Stringer The Muse of Clay Modelled Sculpture (2019)
Sun Flower Head
Terry Stringer Sun Flower Head (2019)
Step Face Mask
Terry Stringer Step Face Mask (2019)
Charcoal Grooved Orb [18-68]
John Parker Charcoal Grooved Orb [18-68] (2018)
Charcoal Grooved Vessel  [AF19-8]
John Parker Charcoal Grooved Vessel [AF19-8] (2019)
Charcoal Grooved Vessel [19-26]
John Parker Charcoal Grooved Vessel [19-26] (2019)
Matt White Grooved Vessel [19-24]
John Parker Matt White Grooved Vessel [19-24] (2019)
Matt White Grooved Flanged Bottle [18-22]
John Parker Matt White Grooved Flanged Bottle [18-22] (2018)

Exhibition Text

Featuring numerous new sculptural works by Paul Dibble, Terry Stringer and Chris Charteris, the Wakatipu Chronicle develops conversations about texture, presence and pattern that are further seen and felt in the impressive ceramics of Phil Brooks.

In new works by Leanne Morrison, Peata Larkin, Darryn George and Dick Frizzell, the rhythms of intersecting lines are explored. Israel Birch, Robert Jahnke (The Wallace Arts Trust Paramount Award Winner 2019) and Neil Dawson use repetition and light refraction as key rhythmic devices.

Lisa Reihana’s Ka Mate is an atmospheric lightbox drawn from Tai Whetuki House of Death Redux (featured at Toronto Biennale). Yuki Kihara (just announced as New Zealand’s Venice Biennale 2021 representative) explores the links between Samoa and Ngati Kahungunu of Hawkes Bay in a memorable lenticular photograph EFKS Church, Maraenui.

Harry Watson’s sculptural relief paintings are parables and tales of absence and loss, of belief and hope. Joanna Braithwaite’s narrative of impending loss is delivered with rare poignancy and distinctive political bite.

Russell Moses’ and Elizabeth Thomson’s work simultaneously advance and recede. Darry George delivers a view from above, the tukutuku pattern (as a biblical metaphor) dividing the sea and rising up.

Karl Maughan’s Omihi is a visual poem of place. Michael Hight’s dream-like Rangitata Valley is a surreal combination of the mundane and menacing.

Exhibition Views