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Wayne Barrar
 
Mason Bay #1, 1988 (vintage print 1988)


Beneath Bowen Falls To Mitre Peak, Fiordland 2000 (printed 2002)


Surge Chamber (Flow To Tongariro) Rangipo Underground Power Station (2005)


Toolshed, Monowai Power Station 2003 (printed 2004)


Viewing Platform at Bowen Falls, Milford 2003 (printed 2004)


Previous exhibitions below
Wayne Barrar: "Most of my work is centred on the impact on land of the consequences of shifting cultural practices. Occasionally I will venture into the laboratory, as a place of change, in order to investigate human intervention at a ‘micro’ level. At other times I may revisit historical imagery or sites as a reference point…. In order to deal with the complexities and ironies inherent in the relationship between people and the environment, my work has evolved into a number of series – some finite, others ongoing. They may vary in approach and process, but in all of them the central consideration is this inter-relationship between culture and nature in an increasingly complex society."(1)

Wayne Barrar’s territorial explorations into New Zealand’s landscape, which has in recent times extended into Southern Iceland and the Great Salt Basin, Utah, convey human adaptation of the landscape with a surprising approach. Barrar’s photographs powerfully argue the connection between nature and culture and the ongoing relationship between them. "The country in his pictures has been entirely cleared of human beings, but humans are without doubt the reason that the country appears as it does. These are places we have ‘settled’, but in Barrar’s images they are capable of unsettling us."(2) "Though the views are not what many of us would consider picturesque, Barrar manages to instil an order and calm to the scene, imparting them an uneasy beauty. He comfortably moves from grand expanse to the intimacy of a petri dish…. Barrar’s work is beautifully considered, his method is classical and technically superb."(3)

In 2002 and 2003 “Barrar documented ‘Opal City’ Coober Pedy in the South Australian outback.. This remarkable series maps human life as it goes underground and in the process strives for varying degrees of domestic normalcy and social adaptation in a brutal desert environment.” (4)

Wayne Barrar born in Christchurch 1957, gained a Bachelor of Science from The University of Canterbury in 1979, a Post Graduate Diploma of Fine Arts from Elam, University of Auckland in 1996 and a Masters in Design from Massey University in 2005. He currently works as the Associate Professor and Director of Photography, School of Fine Arts at Massey University, Wellington. He has been awarded a number of international and national art residencies and grants. His works have been exhibited in public galleries around New Zealand including the Museum of New Zealand, Te Papa Tongarewa, Wellington, the City Gallery, Wellington and the Sarjeant Art Gallery, Wanganui. He has exhibited internationally, around the USA, as well as in Hong Kong. Barrar’s works are held in public galleries, private and corporate collections in New Zealand and abroad.


Barrar’s first survey book ‘Shifting Nature” was published in 2001 by University of Otago Press.

(1) Artist Statement, 2003.
(2) Geoff Park, essay in ‘Shifting Nature: Photographs by Wayne Barrar’, University of Otago Press, 2001.
(3) Ian Robertson, ‘Changing the Focus’, Evening Post, 19 December 2001.
(4)Gavin Hipkins, ‘Dugout: Wayne Barrar’s Subterra’, Art New Zealand 116, Spring 2005.


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